tonight's show time: 7:30PM

One Night ONLY: Christmas in New York, December 17 @ 6 pm. Jazz and Treats

TICKETS ARE ON SALE!

ONE NIGHT ONLY: Join us for “Christmas in New York” on Sunday December 17th from 6 pm until whenever, at the KMSC Law Performing Arts Theatre!

Pop-Up Jazz Club brings you the atmosphere and music of favourite jazz clubs from around the world; December 17, It’s like being in NEW YORK CITY.

This is a special, seasonal, set of live jazz by the inimitable Mark Brazier and his band. Get away for the evening with your friends, spouse, partner, whomever, listening, mingling, dancing at Christmas in New York.

Enjoy themed hors d’oeuvres and sip on feature cocktails curated by the fabulous 92 Bev Co.

Single tickets = $60.

Call the GPLT Box Office for your Best Price Deal: Tables of 6 @ $300 (SAVE $60).
Want to bring more friends? Some tables of 8 are available.
(780)538-1616.

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Sandy Toes & Salty Kisses, A Comedy, Nov. 30-Dec. 16.

Just announced: Pair your laugh-a-minute comedy with a perfect Christmas Season dinner featuring turkey with stuffing, glazed ham and all the trimmings at an additional cost of $45.50 per person.

“You are cordially invited to our beachfront destination wedding! Come enjoy the sand and sun while we whisk you away to the Lover’s Landing Beach Hotel. This laugh out loud comedy will have you forgetting the frigid snow-covered wasteland you walked in from, at least until after the show. Don’t forget to pack your sandals!”

Sandy Toes & Salty Kisses, A Comedy
By Michael Parker & Susan Parker,
at GPLT November 30 to December 16, Thursdays, Fridays and Saturdays
Directors: Jessica Moutray and John Moutray

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Andrew Collins Trio November 19 @ 7:30 pm

GPLT Folk, Roots and Blues Concert #2 is going to be amazing on November 19!
Mando maestro Andrew Collins finds himself – through no actual fault of his own – at the epicentre of Canada’s burgeoning acoustic/roots music scene. He didn’t invent it – but he’s certainly been a contributor, having co-founded seriously noteworthy Canadian bands like the Creaking Tree String Quartet, the Foggy Hogtown Boys and, more recently, his namesake Trio. That’s not to mention the fact that this prolific, robust performer – comfortable on mandolin, fiddle, guitar, mandola and mandocello – composes, produces, arranges, writes and teaches across multiple genres, including a popular collision of folk, jazz, bluegrass, celtic, and classical.

As Collins gathers up innumerable JUNO nominations (5) and Canadian Folk Music Awards (7) won by his various ensembles, he’s zeroing in on the work he does with Trio-mates: fellow string guru Mike Mezzatesta, whose versatility shines through on guitar, mandolin, fiddle and mandola, and in-the-pocket James McEleney holding it down on the bass, mandocello and vocals. Showcasing a dizzying number of styles and instruments on stage, Collins and Co. appear to live by the old adage, “idle hands are the devil’s workshop”, likely keeping them just ahead of his grasp. Bending and blending genres, these musical shape shifters land somewhere between the re-imagined worlds of Béla Fleck and Newgrass invader, David Grisman.

They just released a new double album, grafting 11 vocal cuts (tongues) to 11 instrumentals (grooves) to create a seamless finish with their cleverly monikered double album, Tongue & Groove. Each cut is milled to perfection and represents a back-to-basics visitation on what the band does best — spontaneity of the stage and rapid-fire, improvisational exchanges.

https://www.andrewcollinstrio.com

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